DJI provides officially launched the Mini 3 Pro, a drone that features high-end and novel capabilities, like 4K60 video, up to 47 minutes associated with flight time, and APAS 4. 0 obstacle detection and avoidance. Importantly, the Mini 3 Pro with the Intelligent Flight Battery nevertheless comes in at under 250g. For my use of drones, however , image quality may be the biggest factor – will the Mini 3 Professional deliver? In this first appearance, I’ll share the full details of the Mini 3 Professional, as well as some real-world trial photos from my hands-on time with DJI’s newest drone.
Mini 3 Pro Specs
The Mini 3 Pro compares actually favorably to the Mini 2 and even the Mavic Air 2 , a significantly larger drone. The Mini 3 Pro features a 1/1. 3 ” sensor, with a 48MP mode (although typical captures are 12MP). The lens is a 24mm equivalent with an f/1. 7 aperture. The sensor is dual native ISO capable and allows HDR videos, which allows for great powerful range, especially for the smaller sensor size.
In video mode, the particular Mini 3 Pro facilitates 4K/60fps video, beating the Mini 2’s 4K/30. Using a max video bitrate associated with 150Mbps and support pertaining to H. 264/H. 265, I’ve found the video to look great even in reasonably challenging light.
The jingle also supports D-Cinelike colour mode, a not-quite-D-log mode that helps pack more highlight and shadow information in to the video footage, but will require a few post-processing to look the best. To get photos, the drone furthermore supports raw image capture. These features make it clear that DJI hasn’t arbitrarily restricted the drone’s imaging functionality by locking away more complex tools.
When compared to Mavic Air 2, the particular Mini 3 Pro supports the newer version of DJI’s impressive video transmission system, OcuSync. OcuSync several. 0 extends the rated range to 12km, whilst in the real world this translates to the rock-solid connection and movie feed in all the circumstances I have flown in.
The prior generation Mini 2 lacks any obstacle realizing, leaving you open to potential collisions. Meanwhile, the Mini 3 Pro covers the same selection of forward, backward, and downward directions as the Mavic Air 2, but the Mini 3 Pro adds the more recent Advanced Pilot Assistance Systems (APAS 4. 0), which could automatically detect obstacles in real time.
Battery life can be a major factor, especially for the small and gentle category that the Mini 3 or more Pro sits in. As the previous Mini 2 delivers 31 minutes and the Mavic Air 2 delivers 34 minutes, the Mini 3 or more Pro offers a very unique feature for a consumer drone: different battery sizes. Whilst drone pilots have had the choice of choosing different battery dimensions in hobbyist drones, the particular Mini 3 Pro provides two great options to the table. The Intelligent Trip Battery keeps the drone under the 250g mark, while still improving flight moments to 34 minutes. The bigger battery option, the Intelligent Flight Battery Plus, protrusions flight times all the way to be able to 47 minutes, while still keeping the drone’s existing slim profile. The larger battery power will put your jingle over the 250g mark, but for many pilots, the regulating change is no problem, while the extra flight time is an useful benefit.
The Mini 3 Professional isn’t just offering electric battery innovations, however. The gimbal can actually rotate to allow top to bottom shooting. With so many platforms preferring vertical video, being able to capture vertically, natively, means a lot more resolution and less popping. I also find that it’s way easier to just see the photo, rather than have to picture your own framing after a crop. This particular feature is effortless to activate via an onscreen button, and the switch requires less than a second, while preserving all the drone’s flight and navigation characteristics.
The specs don’t really tell the whole story over the Mini line. Whether you have already flown larger drones from the Mavic or Phantom line, or haven’t however used a drone in any way, I expect you’ll be impressed when you get the Mini 3 Pro in your hand. Folded away up, it’s smaller compared to most of my camera lenses and easily fits right into a lens space in my camera bag. At 249 grams (just over half the pound), it weighs less than most lenses, too. Should you be a landscape photographer, it’s a great option for adding to your own camera bag to enable a few unique compositions in the backcountry. I consider it a much less intimidating platform to get started soaring, thanks to both the small dimension and the host of trip safety features.
The only thing that runs against the compact size of the drone will be the heft and bulk of the particular remote. The stock control, the RC-N1, is basically as large as the drone itself. While the RC-N1 has great quality, the heft is in sharpened contrast to the drone, and can definitely take up another lens slot worth of bag space. You can store the stays within the remote to help slim it down, however.
Amazingly, the Small 3 Pro is only slightly larger than the battery pack of my Mavic 3, which should give some context in order to how small the jingle is.
Whilst I’m still testing the drone with an eye in the direction of a full review, I’ve been able to log a couple plane tickets with a model provided by DJI for review purposes.
To sum up image quality in a few words: excellent, especially for the size. The files are very clean in daylight conditions, with good resolution that shows only minor color artifacts on little details like fences. The particular images also feature quite natural dynamic range, a crucial factor for drones, exactly where it seems parts of your scene are always verging on as well as underexposure.
Fine details are reasonably well reproduced, although this style of sensor layout can look a bit nervous in areas like tree branches. The particular 48MP mode can be an interesting trade-off, bringing some more resolution, but also bringing out some artifacts. As an example, both the 48MP plus 12MP capture modes dealt with the road reflectors in the following sample shot differently. The 48MP mode “erased” all of them, while the 12MP mode led to some tiny color artifacts on the lines. Granted, these types of problems are only for pixel-peepers, but just as I found in my trip experience with the Mavic Atmosphere 2, the 48MP setting is not a shortcut to revolutionize image quality.
My favored processing for the best image high quality from this style of sensor entails either HDR stacking or maybe the Enhance Details functionality within Lightroom. Both options provide the image quality an extra enhance, in either high dynamic range situations or compositions with a range of fine details where false colors can arise. Neither tool is critical, but as the drone can make it so easy to shoot mounting brackets, I find myself maintaining default to them just for insurance policy, as gauging exposure on the phone screen in sunlight can be tricky.
The raw files are DNG format and function great with Lightroom. While a profile wasn’t offered at the time of writing, I find the shots need couple of lens corrections. Distortion, in the event that present, was unnoticeable upon natural subjects. Vignetting had not been a problem, but about +10 on the Lens Corrections vignetting slider removed any track. Meanwhile, chromatic aberrations had been handled very well. A slight purple fringe can be seen on higher contrast edges at 48MP, but it’s not visible at 12MP. Chromatic aberration is fairly easy to remove in post-production anyway.
An additional favorite feature of my own is the drone’s ability to immediately shoot a range of panoramas, including 360 degree, 180 diploma, and wide angle photos. Combined with the drone’s unique viewpoint, these panoramas can offer a lot of resolution and allow for some fascinating compositions. The drone may also automatically stitch the pictures in flight, although I’d still prefer a mode where the images are just shot and may be processed later.
The up and down shooting mode also opens up a whole new creative chance for drone photographers, since compositions from drones have got previously been constrained to images in landscape orientation. By swiveling the whole gimbal to position the camera vertically, the drone is able to power the full resolution and industry of view of the messfühler. For vertical photo topics, this makes it far easier to capture the subject in a single shot, versus having to stitch and crop a panorama. This is a feature I’d love to see come to DJI’s other drones, as it really does create new options for subjects. Furthermore, unlike some of the other modes on drones, namely the telephoto mode on the Mavic 3 or more, vertical shooting is quick, easy to select, and preserves all your camera options. Which means full raw files and great usability.
While I’m mainly a drone photographer, I used to be equally impressed by the video high quality from the Mini 3 Professional. At 4K and 60fps, the video was clean and organic looking, with great colour and dynamic range. The particular lens on the Mini 3 or more Pro also proved to be fairly resistant to flare. While I can provoke some flare by shooting directly into the late afternoon sun, it wasn’t an issue in normal airline flight.
Bitrates are solid, and the color technology in the normal color setting was perfectly natural looking. For the typical uses of the Mini 3 Pro, I’d expect you could just capture and edit video with little to no need intended for post-processing adjustments.
The drone also facilitates slow motion video with 1080P and 120fps.
The Mini several Pro really lives as much as its name, in every sense. Offering evolutionary improvements within the Mini 2 and even the particular Mavic Air 2, the Mini 3 Pro signifies a phenomenal package for the range of photographers and videographers. The Mini 3 Pro is a low-compromises way to obtain a drone that fits into a jacket pocket, while offering all the flight and performance features of higher-end drones (or even more if you’re using an older drone). Should you be new to drones, the Mini 3 Pro is a great method to get into drone photography and videography, featuring smart airline flight and capture modes to create even complicated shots simple, all while easing the particular regulatory burden thanks to the sub-250g weight class. The drone really brings pro functions to a price point and size that I didn’t expect.
To me, the main reason to go with a bigger drone at this stage (like the Mavic Air or Mavic Pro series) is for the bigger camera sensor. As good as the Mini three or more Pro’s 1/1. 3 kind sensor is, there are times when you’ll want the quality of a 1-inch or micro four thirds type sensor instead. But if portability and regulatory ease are your priorities, the particular Mini 3 Pro is as good as it gets.
The DJI Mini 3 Pro is available in a range of kits, including the Small 3 Pro, Mini 3 Pro Fly More Kit and Fly More Kit Plus, which adds the carrying bag and additional batteries of different capacities, and the Small 3 Pro Kit with a DJI RC, a control which integrates a full touchscreen for phone-free drone control. It’s currently available at B& H for $670 without a remote, and $760 with the RC-N1 remote.