House as a state of mind #1: Coco Capitán

Reading Time: 2 minutes

This article is normally printed in the latest problem of British Journal associated with Photography magazine, themed House, delivered direct to you having an 1854 Subscription, or available to purchase on the BJP shop .  

In the to begin our four part series, Home as a frame of mind , Coco Capitán shows on water as a web site of growth and liberation – a home from home

“The ache for home lives in all of us, ” Maya Angelou wrote in her 1986 book, All God’s Children Want Traveling Shoes . “The safe place where we can go as we are usually and not be questioned. ”

While home often denotes household space – imbued along with memory, ritual and familiar bonds – it can also manifest elsewhere. The notion of home is not really static. It can be constructed, continuously changed and recreated, investing in emotion and link while navigating the politics of belonging and security. Home can be interiority, neighborhood and a state of mind; it can be a sensation that, instead of provoking nostalgia, is rooted in severe care and sublime chance.

Home like a state of mind is really a four-part series exploring the space and mindstate that provides musicians with a sense of that belong. For Coco Capitán, drinking water remains a site of growth and liberation – a home from home.

Coco Capitán spent much of her child years in a swimming pool. After attending a synchronised swimming show in her hometown of Seville, she fell in love with the sport and began practicing it when she has been just six years old.

“I wanted to travel out of the water, ” the Spanish artist says. “I had such a romantic look at of the pool. I would simply swim and get lost in my imagination. ” Capitán declined to let anything derail her enchantment with water. She abandoned all other interests to commit to her going swimming team’s gruelling daily coaching schedule and persevered even when she was bullied simply by other team members.

After training for a decade, in 2014, Capitán and her family moved to Cádiz. Though located on Spain’s southern coast, there was no synchronised swimming team for her to join in the particular seaside town.

© Coco Capitán.

“It represents a space where Dont really have to rely on anyone else. I could just be myself and be free”

© Coco Capitán.

“I dreamed about instruction every night for years, ” the girl explains. “It was a type of healing process for everything that I had been through. ” It was not long before she began a brand new relationship, this time with the sea. She would set her alarm early, cycle to the seaside and swim alone each day before school. “That has been my first experience of independence and independence. It was just me and the sea plus none of the pressure I had formed in the pool. It was really liberating and remained a huge influence. ”

As Capitán’s creative practice evolves, traversing fashion plus fine art, the sea continues to motivate her. Its attendant themes of adventure and isolation are used as a framework to reimagine ideas around sex, queerness and our partnership with our body. Blue shades dominate her work, as she creates a space where fantasy collides with reality.

In her most recent work, Naïvy – shown in a solo exhibition at Maximillian William, London, in 2020 and released as a book earlier this year – she contemplates the function of the sailor; and its paradoxical embodiment of individual independence and collective belonging.

For Capitán, drinking water remains a site of development and liberation – a house from home. “It represents a space where I don’t have to rely on anyone else, ” says Capitán. “I can just be myself and be free. ”

Gem Fletcher

Creative director, writer, podcaster and photo director, Jewel Fletcher works across visual-cultural fields, focusing on emerging skill in contemporary photography and art. She is the photograph director of Riposte Mag, and hosts a photography podcast, The Messy Truth.

Leave a Reply

Your email address will not be published.