Presenting 1854’s Fast Track Vol. 2 winners: Kelly-Ann Bobb, Tayla Nebesky, and Hiro Tanaka

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1854’s FastTrack programme encourages unsigned talent in the commercial world. Here, three winners talk about their practices, reflecting on autonomy, intimacy, and playfulness

Calling the double island state of Trinidad and Tobago home, Kelly-Ann Bobb originally studied medicine, completing medical school in the University of the West Indies at St . Augustine Trinidad and Tobago, ​​before moving into photography. “I lost our mother in 2018, and photography served as a catharsis for the healing process, ” she explains. “[Photography]  became a form of creative expression, and then evolved into activism; a place in which I could discover Afro-diasporic identity, community as well as the world. ”

Bobb, along with Tayla Nebesky and Hiro Tanaka, are three of the 18 photographers selected for that second edition of 1854’s Fast Track programme this year. Particular by a global jury, the image-makers will be championed by talent representation organisations, marketing agencies and brands, along with being showcased in a particular booth at LE GUIDE Connections Europe and via 1854’s own global system.

© Kelly-Ann Bobb.

Bobb’s artistic exercise works to “debunk” negative stereotypes imposed on Black individuals and their bodies. In the girl project, Sacred Bodies, Bobb “seeks to reclaim physical autonomy and agency, ” using spirituality and libido to challenge preconceived ideas and understandings of Blackness. A liberation of femininity and masculinity informs the particular project, as Bobb imagines a Blackness void associated with expectation. “Medicine is a section of the practice, as I transfer what I learn from my relationships with patients to photography, ” she explains. “I would like my subjects to feel at ease, I want them to be able to go to town freely. ”

Bobb offers since branched out in to the commercial sphere, bringing her intimate shooting style in order to fashion and portrait pictures. When collaborating with Caribbean fashion brands such The particular Cloth and Mark Eastman, Bobb wanted to “create space” for unique perspectives within the commercial sphere, creating style editorial with the same pain found in her personal works.

© Kelly-Ann Bobb.

Hiro Tanaka – our second featured Fast Track winner – 1st travelled from his Tokyo home to the United States over the decade ago after winning a raffle. He boarded his free flight using a love for Rock’n’Roll but no knowledge of the English language, and found himself at First Avenue & seventh St Entry in Minneapolis, the venue in which Royal prince filmed Purple Rain . After befriending a local band, Tanaka implemented them as they toured round the US, documenting the whirlwind surreality of life for the American highway.

© Hiro Tanaka.

After he was given an Slr Tanaka documented the gigs, road trips, parties and landscapes, as well as minute information in the strange and not familiar nation. Since then, Tanaka has not stopped – he has participated within residency programs in the US, European countries, and Asia, and received the Cosmos Arles PDF FILE Award in 2018 as well as the TPD Book Award also in 2018, among others. In his photobook Chicharron (2018) , published simply by Witty Books, Tanaka’s travels are relayed through a series of diptychs, each image within conversation with another, building a nonsensical and playful account of music, comradery and wanderlust.

© Hiro Tanaka.

Another Fast Track winner is Tayla Nebesky, an American photographer based in Bristol. Originally a student of trumpet performance at Manhattan College of Music, Nebesky went on to study a Masters diploma in photography at UWE Bristol, from which she graduated last year. “Photography offered me a similar ease of communication, ” she explains. “Music taught me a lot about digital photography, especially regarding work ethic, as well as the dedication it takes to pursue your passion. ”

Photographing anything that catches her eyes, Nebesky’s process centres landscapes and objects, and their relationship to light. “I am guided by lighting, ” she says. “A shift in light could replace the scene completely, and requires what the eye is drawn to. I observe the world via my camera, and it can make me appreciate the environment close to me, ” she provides. In her series Glowing blue Tongu e, Nebesky documents her stay on her parents’ ranch in California over a couple of months. Created a decade after causing the ranch, the project follows Nebesky as the girl acclimates to the simultaneously familiar and unfamiliar landscape, searching for an “air of intimacy and honesty. ”

© Tayla Nebesky.

© Tayla Nebesky.

Outside of these types of personal projects, Nebesky expectations to bring her attention to detail and intimacy to industrial projects. “People can become hyper-aware of the camera, especially when getting photographed, ” she clarifies. “ Being a very socially anxious individual, I sometimes find making portraits stressful – there exists a mutual vulnerability required that is not really always easy to achieve. This vulnerability is what draws myself to portraiture, ” the lady says.  

Nebesky functions in an organic style, staying away from too much planning, and rather allowing herself to follow moments as they occur. “I will always be quite observant, ” the girl adds. “I want this particular to come across in my work. In the commercial realm, I’m interested in fostering these same qualities; lyricism, tranquility and subtlety. ”

Isaac Huxtable

Isaac Huxtable joined the British Journal associated with Photography in October 2020, where he is currently the Editorial Assistant. Prior to this, this individual studied a BA in History of Art at the Courtauld Instititue of Art, Greater london.

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