Maximum Ferguson navigates the memoir and fiction through image and text in his debut photobook

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Poetic writing and wistful imagery is certainly paired in dream-like narrative

Whistling for Owls is definitely London-based photographer and writer Max Ferguson’s debut photobook and the first publication through his new imprint, Oblong Press. The enigmatic guide is described by Ferguson as: “image and textual content; France and London; memoir and fiction; truth plus lies”. Quiet photographs, alternating between colour and black-and-white, frame rich landscapes, one figures and unexpected details. There’s the corner of a cluttered kitchen, a cobweb of shattered glass, light dripping in through the curvature in between two pale, fleshy thighs.  

From the series Whistling for Owls, 2022 ©  Max Ferguson.

“We were standing on front side deck of a small ferry, smoking cigarettes and waiting for the boat to get the all-clear. It was not being far from house, she told me, that was difficult, but being close. The particular proximity of what you love makes you so lonely. ”

The short texts punctuating the publication enhance its secret. The prose is ambiguous and poetic, inciting us to develop a loose story of our own also influenced by the images. But , regardless of Whistling for Owls’ ambiguity, a strong sense of like, loss and longing spreads throughout the pages. As states one particularly poignant text: “We were standing on the front deck of a small ferry, smoking cigarettes and waiting for the particular boat to get the all-clear. It had been not being far from house, she told me, that was difficult, but being close. The particular proximity of what you like makes you so lonely. ”

um valpress. co. united kingdom

Whistling with regard to Owls by Max Ferguson is available to pre-order now

From the series Whistling pertaining to Owls, 2022 ©  Utmost Ferguson.

Whistling intended for Owls Cover ©  Potential Ferguson.

Hannah Abel-Hirsch

Hannah Abel-Hirsch joined Uk Journal of Photography within 2017, where she is currently Assistant Editor. Previously, the lady was an Editorial Associate at Magnum Photos, as well as a Studio Assistant for Susan Meiselas and Mary Ellen Mark in New York. Before which, she completed the BA in History of Artwork at University College Greater london. Her words have also appeared on Magnum Photos, a thousand Words, and in the Royal Academy of Arts publication.

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