Nikon’s Z7-series mirrorless digital camera is on its 2nd generation, thanks to the release from the Nikon Z7 II. However the two cameras look similar on the surface, there are quite a few modifications under the hood. If you’re wondering about these differences and trying to decide which one to get, this article is for you. Within the below comparison, we will be having a closer look at how the Nikon Z7 and Nikon Z7 II compare to one another.
Table of Contents
Nikon Z7 and Z7 II Specs Comparison
Compared to the general-purpose Nikon Z6 II, the Z7 II is primarily aimed at surroundings, architecture, and studio stills photographers who need a high resolution camera with high dynamic range. Thanks to its 45. 7 MP sensor, simply no low-pass filter, and outstanding Z-mount lenses, it is able to deliver sharp, high-quality images along with extreme detail.
However , the same could be said about the prior generation Z7, which also has a 45. 7 megapixel sensor plus shares the same excellent zoom lens lineup. So , does the particular Z7 II actually have any kind of advantages over the Z7? Let’s look at the two cameras’ specs side by side:
|Camera Function||Nikon Z7||Nikon Z7 II|
|Sensor Resolution||45. 7 MP||45. 7 MP|
|Sensor Type||BSI CMOS||BSI CMOS|
|Native ISO Level of sensitivity||ISO 64-25, 600||ISO 64-25, 600|
|In-Body Picture Stabilization||Yes, 5-axis||Indeed, 5-axis|
|Sensor Size||35. 9 × 23. 9mm||35. 9 × 23. 9mm|
|Image Size||8256 × 5504||8256 × 5504|
|Image Processor||EXPEED 6||Dual EXPEED 6|
|EVF Type / Resolution||QVGA / three or more. 6 million dots||QVGA / 3 or more. 6 million dots|
|EVF Improved Viewfinder Blackout||No||Yes|
|Viewfinder Magnification||0. 8×||0. 8×|
|Built-in Flash||Simply no||No|
|Display Sync Speed||1/200||1/200|
|Storage Media||1× CFe / XQD||1× CFe / XQD + 1× SD UHS-II|
|Continuous Shooting Speed||9 FRAMES PER SECOND||10 FRAMES PER SECOND|
|Camera Buffer (12-bit Lossless)||23||77|
|Shutter Swiftness Range||1/8000 to 30 seconds||1/8000 to 900 seconds|
|Autofocus System||Hybrid PDAF, 493 points||Cross PDAF, 493 points|
|Concentrate Detection EV Range (f/2 lens, ISO 100)||-2 to +19 ELECTRONIC VEHICLES (-4 to +19 EV with low-light AF enabled)||-3 to +19 EV (-4 to +19 EV with low-light AF enabled)|
|Eye AF in Wide Area AF||No||Yes|
|Eye AF within Video||No||Yes|
|Video Maximum Resolution||4K @ up to 30p, 1080p @ up to 120p||4K @ up to 60p, 1080p @ up to 120p|
|4K Video Crop||1 ) 0×||one 0× (30p), 1 . 08× (60p)|
|Video HDMI Out there / N-LOG||4: 2: 2 10-bit HDMI output / Indeed||4: two: 2 10-bit HDMI output / Yes|
|Video HLG / HDR Out||No||Yes|
|Articulating, Touch FLAT SCREEN||Yes, Tilting||Yes, Tilting|
|LCD Size / Quality||3. 2″ / 2 . 1 mil dots||a few. 2″ / 2 . one million dots|
|Wi-Fi and Bluetooth||Indeed / Yes||Yes / Yes|
|Intervalometer + Timelapse Movie||No||Yes|
|Clutter-Free Live Watch Option||Simply no||Yes; must be assigned to custom key|
|Oversensitive EVF Proximity Messfühler Fix||No||Partial repair; EVF won’t engage whenever rear LCD is tilted open|
|Firmware Update via Snapbridge||No||Yes|
|Battery Life (CIPA)||330 photos||360 shots|
|Battery Life (Video)||85 min||105 min|
|Battery Grip Controls||Simply no||Yes|
|Constant External Power||No||Indeed|
|USB Power + Exchange||No||Yes|
|Weather Sealed Body||Indeed||Yes|
|UNIVERSAL SERIAL BUS Version||Type-C 3. 1||Type-C 3. 1|
|Weight with Battery and Cards||675 g (1. 49 lbs)||705 g (1. 55 lbs)|
|Dimensions||134 × 101 × 68mm (5. 3 or more × 4. 0 × 2 . 7 inches)||134 × tips × 70 mm (5. 3 × 4. 0 × 2 . 8 inches)|
|MSRP As Announced||$3400||$3000|
|MSRP Today||$2300 ( check price )||$3000 ( check price )|
While the two cameras have an almost similar appearance, most of the improvements on the Z7 II are shipped via hardware and firmware updates. First, the new Nikon Z7 II comes with 2 EXPEED 6 processors, which improves many aspects of the camera, including its barrier, autofocus, and continuous shooting speed. The Z7 II can continuously shoot 1 FPS more than its predecessor, but this is a small change whenever we compare it to the several. 3× larger buffer. When shooting in 12-bit lossless compressed RAW, the Z7 II is able to capture as much as 77 images – compare that to the 23 RAW image limit on the Z7. This means that with a continuous shooting rate of 10 FPS, you should be able to shoot for almost 8 seconds before the barrier fills up. The original Nikon Z7 would slow down after a few seconds…
On top of that, the dual cpus make it possible for the Z7 II to shoot 4K as much as 60 FPS, with a minimal 1 . 08× crop. (The Z7 is limited to 4K @ 30 FPS in contrast. ) It is also capable of outputting HLG and HDR via its HDMI port, which the first-generation Z7 cannot.
Those who heavily criticized the initial Nikon mirrorless cameras for his or her single memory card slots are now able to relax – the new Nikon Z7 II comes with double memory card slots. The first slot is able to take both CFexpress and XQD memory credit cards, while the second slot can take both UHS-I and UHS-II compatible SD memory cards. As with all other high-end Nikon cameras, you can use the two types of media for different purposes – you can set the credit cards to overflow, back up, or even save RAW files in one, while saving JPEG to the second card slot.
When it comes to new firmware features, the Nikon Z7 II is able to shoot timelapses while being able to simultaneously make videos from the timelapse documents, which the Z7 cannot. One more firmware tweak is the ability to shoot up to 900 secs in manual mode without the “T” exposure mode or an external remote (previously limited to 30 seconds).
Speaking of firmware, the up-date process has also been greatly simplified. You can now load firmware straight into the camera from the Snapbridge app on your smartphone without needing to download a file to a memory card first, then loading this into the camera.
The new EN-EL15c battery provides better capacity compared to EN-EL15b, and with the more efficient processing energy of the camera, you are able to have more juice out of it. Although the number of still images when using the EVF has only gone up from 330 to 360 shots (per CIPA), shooting video clip continuously adds 15 minutes more power, which is great.
The new MB-N11 battery grip is nothing like the particular MB-N10 battery pack – it offers real buttons and dials, as well as an extra USB Type-C port. Since the Z7 II has proper connections, it is now capable of managing a real battery power grip with controls! In case you are wondering why a second USB Type-C port is needed, that is because the camera can now be continuously powered via its UNIVERSAL SERIAL BUS port. This means that you can power up the camera through the USB Type-C port on the hold, while using the camera’s other slot for things like file transfers. Even the USB Type-C slot on the camera by itself is certainly dual-purpose now according to Nikon, so you can simultaneously charge the particular camera while also running the camera as a webcam.
Nikon also adds features to fix 2 of the Z7’s most frustrating usability problems: a new clutter-free live view display mode, and a partial fix towards the oversensitive EVF proximity messfühler issue (the EVF will not engage whenever the rear LCD is tilted open). They were two of our biggest issues with the Z7, so it’s great to see Nikon placing resources into fixing all of them – even if the solutions are not totally perfect, like having in order to assign the clutter-free live view display to a custom button, rather than building this into the DISP options.
Next, let’s take a look at the image quality of the Nikon Z7 versus Z7 II. Has Nikon changed everything about the high ISO performance or dynamic range in the new camera?
High ISO Assessment
The particular Nikon Z7 and Z7 II have identical efficiency at high ISOs, from this article you can see from the images below (which are 100% crops). The Z7 is on the still left, and the Z7 II is definitely on the right:
ISO 12, 800:
ISO 25, six hundred:
ISO 51, 200:
ISO 102, 400:
Although the pattern of sound is slightly different in the extreme ISOs like INTERNATIONALE ORGANISATION FÜR STANDARDISIERUNG 102, 400, the overall quantity of noise is the same irrespective of ISO. This is aggressive with other high-resolution mirrorless digital cameras today, although a bit behind the lower resolution cameras such as the Nikon Z6 and Z6 II. See our Nikon Z6 evaluation and Panasonic S1R review for high ISO tests against a few of the competition.
Dynamic Range Comparison
Even though higher ISO performance is the exact same, what about dynamic range? Listed here are two images of the same scene, still 100% vegetation, recovered from five halts of underexposure at base ISO 64. The Z7 is on the left, as well as the Z7 II is around the right:
Just like the high ISO tests, each cameras have the same dynamic range performance, with no meaningful differences between the two pictures above. For reference, here’s how the original image appeared prior to shadow recovery:
That’s plenty of dynamic range! To get pictures that look so get rid of such a poorly-exposed original can be quite impressive on Nikon’s part.
Given that the particular Z7 and Z7 II have the same dynamic variety, all the prior tests we all did with the Z7 towards other mirrorless cameras are still equally relevant for Z7 II owners. To be specific, we’ve directly compared the Z7’s dynamic range against the Panasonic S1R and Sony A7r IV , and the Z7 came out slightly ahead. We also compared its dynamic variety against various 24 megapixel mirrorless cameras , and the Z7 was obviously better than the competition.
As you can see, there is no distinction in image quality involving the Z7 and Z7 II. Instead, the upgrades have been in terms of features: improved buffer capacity, dual memory slots, better video features, and so on.
All these upgrades normally would come having a price premium. Considering that the initial Z7 was released at $3400 MSRP, I expected the brand new Z7 II to be priced at a similar price range, if not higher. However , when I saw that Nikon actually drove the price of the particular Z7 II down by $400, I was blown away – that’s a pretty unexpected move ahead behalf of Nikon, and something many of us Nikon shooters really appreciate. With Canon selling its high-resolution EOS R5 at $3900, and Panasonic’s S1R going for $3700, the only other camera on the market that may match Nikon’s price will be the Sony A7R IV, in support of because of its current $500 refund. This makes the Nikon Z7 II the cheapest full-frame digital camera on the market among its 45+ MP peers – and it has just been introduced!
Of course , because the Nikon Z7 has been out for longer, it’s now selling at much lower prices both brand new and used. If you’re looking to decide between the Z7 and Z7 II, keep in mind the cost difference and try to decide if it makes more sense for you to invest it on the Z7 II or on better lenses for the Z7. I nevertheless would recommend the Z7 II between the two, especially if price isn’t an issue, but both of them are amazing cameras. And if image high quality is the only thing a person care about, again, the Z7 and Z7 II carry out the same in that regard.
Personally, I applaud Nikon for focusing on functionality improvements with the Z7 II rather than giving us a meaningless megapixel increase. Right now they just need to focus on a lot more Z-mount lenses over the following couple years, especially to the telephoto side of things. The lens roadmap looks promising , but we nevertheless need some lightweight lens that go to 200mm plus beyond, like a 70-200mm f/4, 70-300mm f/4. 5-5. 6, and 300mm f/4 PF.