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Photo: © Zuzanna Szamocka, Portrait of Humanity 2021 Shortlist.
“Though this has undoubtedly been a year that many would rather forget, we should never forget it. Because look closely at the images that follow, and you will see that they catch humanity in all its diverse beauty and fragility”
As the coronavirus pandemic continues, and we fight to mend the cracks in the system they have exposed, 1854 and Uk Journal of Photography are usually proud to present the Portrait of Humanity 2021 candidate: 200 astonishing portraits which usually span the globe, capturing annually like no other in living memory.
Alongside the winners , who were announced in February, the full shortlist will appear within Portrait of Mankind Vol 3 , published by Hoxton Mini Press which year with a foreword from bestselling author Otegha Uwagba.
Selected by a -panel of curators, photo publishers and directors from top institutions, the faces and stories that make up the guide – compounded from people living in over 50 nations – are a testament to the collective will to connect, restore and keep going. From healthcare workers to protestors, satisfied family reunions to opportunity meetings between strangers, they delve into a wide spectrum associated with experience, but give an enduring impression of that most crucial common emotion: hope.
In ‘Lhabhum and Arte’, Phoebe Theodora poignantly reflects Lhabhum, a Tibetan refugee care-home worker, sitting with his daughter in a moment of sorrow after losing one of the home’s residents to COVID-19. In ‘The Best Time of My Life’, Davide Bertuccio documents his close friends finally signing their relationship certificate after more than 170, 000 weddings were postponed in Italy.
Virginia Hines’ ‘Protestors’ – which documents an impassioned young man at a Black Lives Matter protest in San Francisco, Ca – pays tribute to the sociopolitical history that unfurled in front of our eyes this past year. “I encountered this child at a Black Lives Issue demonstration, less than two weeks following the tragic death of George Floyd and during the height of the pandemic, ” the girl says. “I wanted to record the confluence of historical events as they played out in my neighbourhood. ”
Elsewhere, we see how, even in ordinary circumstances, photography can provide us with much needed perspective on our lives. Because Yosando Faizal says associated with his shortlisted photo, which depicts a childhood friend of his grandmother’s boiling water for afternoon tea, “[it] made myself reflect on how easy my entire life in Melbourne is when compared to village where I were raised, and yet somehow less free. ”
“Though this has undoubtedly been a year that many would rather forget, we must not forget it, ” says Uwagba within the book’s introduction. “Because appear closely at the images stated in this article, and you will see that they catch humanity in all its multifaceted beauty and fragility. ’”